Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

If you weren't a college theater major, you can be forgiven for not knowing much about commedia dell'arte, the 500-year-old theatrical tradition that Carlo Goldoni used for his comedy The Servant of Two Masters in 1743. Contemporary playwright Richard Bean has adapted that play into the decidedly British laugh riot One Man, Two Guvnors -- and he says all you really need to know about commedia is ... well, it's funny.

Broadway history is littered with flop musicals — but if some shows are bombs, then Carrie, based on Stephen King's best-selling 1974 novel, was kind of a nuclear bomb.

The story of a teenager with telekinetic powers who wreaks bloody havoc on her small Maine town had already been successfully adapted as a film starring Sissy Spacek in 1976. But as a musical?

Frank Rich was theater critic for The New York Times when the show opened in April 1988. He called it a musical wreck that "expires with fireworks like the Hindenburg."

Actor and writer Danai Gurira sometimes refers to herself as a "Zimerican": She was born in Iowa, but spent most of her childhood in Harare, Zimbabwe — where her new play, The Convert, is set.

"I grew up there from age 5 to 19," Gurira says. "I'm back there every year, but I feel like there are things that I had to dig out through this process of creating this play."

In her dressing room at the Friedman Theatre, Sex and the City star Cynthia Nixon has a nightly ritual: She rubs Nivea cream all over her scalp to soothe the razor burns.

Being completely bald is just one of the many demands of the character she plays in Wit -- a brilliant college professor named Vivian Bearing, who's battling ovarian cancer.

Once, the much-loved 2007 Irish indie, was kind of the little movie musical that could. Made on a shoestring budget in Dublin, it starred songwriters Glen Hansard and Marketa Irglova as thinly veiled versions of themselves, and it was as much about the love of making music as it was about the budding but unfulfilled love between the two central characters.

The Kalichstein-Laredo-Robinson Trio — pianist Joseph Kalichstein, violinist Jamie Laredo and cellist Sharon Robinson — will celebrate its 35th anniversary as one of the world's finest chamber-music ensembles this January. For the past 25 years, one of the group's frequent partners has been Pulitzer Prize-winning composer Ellen Taaffe Zwilich. She says it's always great fun to hand over a new piece.

Hugh Jackman has had one of the most bifurcated showbiz careers imaginable. He leapt to superstardom as the mutton-chopped mutant Wolverine in the X-Men movies and won a Tony Award as the gay Australian entertainer Peter Allen in The Boy from Oz. These days, he's starring in the robot-boxing film Real Steel and appearing on Broadway in a one-man show.

The 1946 musical "Sweet Bye and Bye" was an unmitigated disaster and never made it to Broadway. The show closed in Philadelphia and seemed to be lost forever — until the score was rediscovered in a New Jersey warehouse in 1986.

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