Lloyd Schwartz

Lloyd Schwartz is the classical music critic for NPR's Fresh Air with Terry Gross.

In addition to his role on Fresh Air, Schwartz is the classical music editor of The Boston Phoenix. He is the co-editor of the Library of the America's Elizabeth Bishop: Poems, Prose, and Letters. He is also the author of three volumes of poems: These People, Goodnight, Gracie and Cairo Traffic. He's the editor of the centennial edition of Elizabeth Bishop's Prose, published by Farrar, Straus, and Giroux in 2011.

In 1994, Schwartz won the Pulitzer Prize for criticism. He is the Frederick S. Troy Professor of English at the University of Massachusetts, Boston.

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8:55am

Tue November 15, 2011
Movie Reviews

Astaire, Burns, Allen, In 'Distress' In London Town

Originally published on Tue November 15, 2011 9:59 am

Warner Archives

A Damsel in Distress was the third of only four films on which George Gershwin and his brother Ira collaborated. The star is Fred Astaire, but without Ginger Rogers. Their previous film together, Shall We Dance?, also with an unforgettable Gershwin score, hadn't lived up to studio expectations, and the now-famous stars were taking a break from each other.

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8:59am

Thu October 27, 2011
Fine Art

Degas' Nudes Depict The Awkwardness Of Real Life

Originally published on Mon November 21, 2011 12:32 pm

Many of Degas' nudes have their backs turned to the viewer. Above, Degas' pastel work, After the Bath, Woman Drying Her Neck, 1886-95.
Photo Musee d'Orsay/rmn Museum of Fine Arts, Boston

The Boston Museum of Fine Arts and the Musee d'Orsay in Paris have two of the world's best collections of the work of the French postimpressionist Edgar Degas. The two museums have collaborated on an important show called Degas and the Nude, which includes pieces from major museums and private collections all over the world. Classical music critic Lloyd Schwartz, who lives in Boston, was moved by the show, which also triggered a sweet personal memory.

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8:58am

Tue September 13, 2011
Theater

'Porgy And Bess,' Adapted For Modern Times

Laquita Mitchell as Bess and Alfred Walker as Porgy in the Tanglewood production of Porgy and Bess.
Hilary Scott BSO

George Gershwin called Porgy and Bess an "American folk opera." It was his most ambitious undertaking. And, from the very beginning, it was a source of intense controversy. Could it be a true opera if it combined operatic arias, duets and sung dialogue with vaudeville numbers like "I Got Plenty o' Nuthin'" and "It Ain't Necessarily So"? Are its characters the mythic archetypes Gershwin intended, or just stereotypes? Some of its own performers had their doubts.

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11:41am

Mon August 29, 2011
Music Reviews

Wilhelm Furtwaengler: A Complex German Conductor

Originally published on Mon December 19, 2011 5:59 am

German conductor and composer Wilhelm Furtwaengler.
Hulton Archive Getty Images

Note: Wilhelm Furtwangler's last name is typically spelled with an umlaut over the 'a' character. The npr website does not support characters with umlauts over characters. A variation of Furtwangler's name without the umlaut is spelled Furtwaengler.

Wilhelm Furtwaengler's name may be hard for Americans to pronounce, but the reason this great conductor isn't so well-remembered here is that he chose to remain in Germany during WWII, though he was never a member of the Nazi Party, and was exonerated by a postwar tribunal.

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1:17pm

Mon August 1, 2011
Music Reviews

New Releases Showcase Lieberson's Vocal Talent

PBP

In the liner notes to a new CD of two live concerts by Lorraine Hunt Lieberson, the director Stephen Wadsworth, who worked with her, writes what a lot of people who loved her and cherished her singing must also feel. "Her work has such immediacy," he writes, "is so alive, that I even dread hearing her sometimes, because it makes me miss her and feel the just plain awfulness of her absence."

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