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Mon September 5, 2011
Music Reviews

Deep Blue Organ Trio Jazzes Up Stevie Wonder

Originally published on Tue September 6, 2011 6:34 am

Deep Blue Organ Trio is a Chicago institution; it's been together since the early 1990s, and for the last eight years, it's held forth at Uptown's Green Mill Tavern most every Tuesday night. The trio's new album Wonderful! is devoted to Stevie Wonder tunes.

Deep Blue Organ Trio's Wonderful! — a new set of Stevie Wonder tunes, drawn mostly from his 1970s golden age — opens with "Tell Me Something Good." As a great American songwriter, Wonder attracts some attention from jazz musicians, but maybe not enough. His songs are jazz waiting to happen, with their suave harmonies, rousing choruses, undercurrents of blues and gospel, and meaty melodies.

Deep Blue Organ Trio's best-known member is Bobby Broom, thanks to two stints playing with Sonny Rollins. The guitarist has his own voice even when he echoes jazz and R&B kings like Grant Green and Cornell Dupree. Broom is originally from New York, but has been in Chicago long enough for the city's blues culture to rub off on the way he bends a note, rides a good riff, and leaves open space in a solo.

To my ears, these pop covers connect less to the so-called "new standards" movement of a few years ago than to populist jazzers like Ramsey Lewis and Jimmy Smith playing pop songs in the '60s. This trio's deeply blue old-school organist is Chris Foreman, yet another Chicago jazz stalwart deserving a geographically wider reputation. He's not so very fancy; Foreman never misses a bluesy inflection, but doesn't usually go in for turbulent organ timbres or higher-math bebop chords. His playing is much more about the groove.

Greg Rockingham shows how the right drummer tightens up everybody's time. He can swing lightly or hit a heavy backbeat to lock it in the pocket. Deep Blue Organ Trio is really a rhythm machine: When it digs into a syncopated pattern and holds its ground, it remind listeners how much minimalism owes to moments of catatonic ecstasy in rhythm and blues.

In "If You Really Love Me," Chris Foreman holds a note for 58 seconds. Deep Blue Organ Trio don't usually go in for grand gestures like that, or like Stevie Wonder for that matter. It plays these tunes with a scrappy informality, like the Chicago bar band it is; a few tracks end with fades as if these jams went on far longer. Much as I like Chris Foreman's keyboard work, I wish his left foot on the pedals evoked Wonder's funky bass patterns more. It's as if the trio is still getting its feet wet on this material. Still, there are plenty of good Stevie Wonder tunes these guys haven't tapped yet. They could always go around again.

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Transcript

TERRY GROSS, host:

Jazz critic Kevin Whitehead describes Deep Blue Organ Trio as a Chicago institution; theyve been together since the early 1990s, and for the last eight years, theyve held forth at Uptown's Green Mill Tavern most every Tuesday night. Recently, theyve been out of town a bit, touring the Midwest with Steely Dan. The trio's fourth album is now out. Its devoted to one of America's great songwriters.

(Soundbite of song from album, "Tell Me Something Good")

KEVIN WHITEHEAD: "Tell Me Something Good" from Deep Blue Organ Trio's "Wonderful!" their new set of Stevie Wonder tunes. As a great American songwriter, Wonder attracts some attention from jazz musicians, but maybe not enough. His songs with their suave harmonies, rousing shout choruses, undercurrents of blues and gospel, and meaty melodies that dig into or run with, are jazz waiting to happen.

(Soundbite of song from album, "As")

WHITEHEAD: Stevie Wonders "As," written in his 1970s golden age - like most tunes on "Wonderful!" Deep Blue Organ Trio's best-known member is Bobby Broom, thanks to two stints playing with Sonny Rollins. The guitarist has his own voice, even when he echoes jazz and R&B kings like Grant Green and Cornell Dupree. Broom is originally from New York, but has been in Chicago long enough for the city's blues culture to rub off on the way he bends a note, rides a good riff, and leaves open space in a solo.

This is from "Jesus Children of America."

(Soundbite of song, "Jesus Children of America")

WHITEHEAD: To my ears, these pop covers connect less to the so-called new standards movement of a few years ago than to populist jazzers like Ramsey Lewis and Jimmy Smith playing pop songs in the '60s. This trio's deeply blue old-school organist is Chris Foreman, yet another Chicago jazz stalwart deserving a geographically wider reputation. He's not so very fancy; Foreman never misses a bluesy inflection, but doesn't usually go in for turbulent organ timbres or higher-math bebop chords. His playing is much more about the groove.

(Soundbite of music)

WHITEHEAD: Greg Rockingham shows how the right drummer tightens up everybody's time. He can swing lightly or hit a heavy backbeat to lock it in the pocket. Deep Blue Organ Trio is really a rhythm machine: When they dig into a syncopated pattern and hold their ground, they remind us how much minimalism owes to moments of catatonic ecstasy in rhythm and blues.

(Soundbite of song, "If You Really Love Me")

WHITEHEAD: Chris Foreman holds that note for 58 seconds, by the way. Deep Blue Organ Trio don't usually go in for grand gestures like that - or does Stevie Wonder, for that matter. They play these tunes with a scrappy informality, like the Chicago bar band they are; a few tracks end with fades as if these jams went on far longer. Much as I like Chris Foreman's keyboard work, I wish his left foot on the pedals evoked Stevie's funky bass patterns more. It's as if the trio are still getting its feet wet on this material. Still, there are plenty of good Stevie Wonder tunes these haven't tapped yet. They could always go around again.

(Soundbite of song, "You Haven't Done Nothin")

GROSS: Kevin Whitehead is a jazz columnist for eMusic.com. His latest book is "Why Jazz: A Concise Guide." He reviewed "Wonderful!," the new album by the Deep Blue Organ Trio on the origin label.

I'm Terry Gross.

(Soundbite of music) Transcript provided by NPR, Copyright National Public Radio.

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