All Things Considered Sunday

Sunday, 6:00 p.m. - 7:00 p.m.

All Things Considered is a NPR radio newsmagazine that delivers in-depth reporting and transforms the way listeners understand current events and view the world. The program presents breaking news mixed with compelling analysis, insightful commentaries, interviews, and special -- sometimes quirky -- features.

Part two of a three-part investigation

On a small crest deep in South Dakota's Black Hills, a dozen children jumped on sleds and floated across the snow. They are wards of the state, and this is their home: the western campus of the Children's Home Society.

There are rolling hills, a babbling brook — even a new school.

Children's Home Director Bill Colson says it's a place to help children who can't make it in regular foster homes.

In a hurry-up world, the garden keeps its own time. Old-fashioned plants like raspberries, asparagus and rhubarb ask us to slow down and wait for the sweet reward they offer. Commentator Julie Zickefoose revels in the waiting.

I have a friend who lives up in the mountains of North Carolina who loves to give me wonderful plants. Usually Connie gives me native prairie plants, and I plop them in the meadow, and it's no big deal. But this year she gave me raspberries. Not just any raspberries. Golden raspberries.

Occupy Wall Street's Most Unlikely Ally: The Pope

Oct 25, 2011

Thomas J. Reese is a senior fellow at the Woodstock Theological Center at Georgetown University, and a former editor of America, the national Catholic weekly magazine.

The Vatican released a document on the world economy on Monday that will cause heartburn in the Tea Party, but will be cheered by the folks occupying Wall Street.

Norton Juster is the author of The Phantom Tollbooth.

"There was once a boy named Milo who didn't know what to do with himself — not just sometimes but always. When he was in school he longed to be out, and when he was out he longed to be in ... Nothing really interested him — least of all the things that should have."

It was, of course, the doldrums — his own special version of them.

I found The Twin, by Gerbrand Bakker, sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee for its "restrained tenderness and laconic humor," which seemed ample justification for using it to avoid my own writing.

I finished it, weeping, a day later, and have been puzzling over its powerful hold on me ever since. I've recommended it again and again, and while I can't say it's entirely undiscovered — it won the 2010 IMPAC Dublin Award — no one I know ever seems to have heard of it.

In 1985, my friend Johnny suffered a tragic loss in a crime that went unsolved until this year. While reporters tell us that justice has finally brought closure, the story endures, and it raises an unsettling question: What compels us toward tales about violence, about murder?

Perhaps the answer lies in the fact that all artful stories humanize us as surely as they humanize their characters. They allow us to transcend crime-scene voyeurism and courtroom media hype, to bear witness to those who survive, after the book is slid back onto the shelf.

When I was a kid, I assumed that in the future things would get better and better until we were all driving flying cars and playing badminton with space aliens on top of 500-story buildings. Frankly, I kind of counted on this happening. But now I don't assume that we'll just keep going up anymore.